FLUX 2 Pro 提示词库

Isometric cutaway of a fictional 1960s submarine-library hybrid, "NAUTILUS NO. 9", drawn as a technical diagram with hand-rendered pen-and-ink cross-hatching. Three levels: periscope-and-telegraph bridge on top, floor-to-ceiling brass bookshelves middle, engine room bottom. Every room labeled in neat draftsman's capitals ("NAVIGATION", "READING LOUNGE", "BOTANICAL COLLECTION"). Sepia-toned on aged parchment. No watermarks.

A library where every book has sprouted a miniature forest from its open pages — birch saplings, moss, tiny glowing mushrooms — growing up between the shelves. A woman in a wool cardigan stands on a sliding ladder, reaching for a book whose forest has already reached the ceiling. Afternoon sun through arched windows, dust motes suspended. Tilt-shift realism, as if photographed for The New York Times Magazine cover.

Minimalist e-commerce packshot: a single handmade ceramic espresso cup with a cream matte glaze and a tiny cobalt drip, floating on a pure #F5F2EC linen backdrop. Shadow hand-softened beneath. 1:1 framing, overhead-soft key at 30°, 85mm f/5.6. Cup fills 60% of frame, breathing room. Shopify-grade, catalog-ready, sharp edge-to-edge.

Editorial product hero: a matte-black ceramic perfume bottle with a walnut-capped stopper, standing on a river-worn basalt slab on wet black sand. Back-lit at 6 AM with a cool rim light, tiny water droplets clinging to the bottle. Brass-engraved label reads exactly "KOHL · No. 07 · Vetiver & Smoked Cedar · 50ml". Hasselblad medium-format look, 80mm f/8, focus-stacked edge-to-edge sharp. No retouching halo.

Hand-painted enamel barbershop sign mounted above a doorway in East London, overcast afternoon. Cream ground, black serif lettering reads exactly: "MACKENZIE & SONS — BARBERS SINCE 1934". A smaller red cursive line beneath: "Cut & Shave · Walk-ins welcome". Subtle cracks in enamel, rust at mounting bolts. 3:2, documentary photograph, readable at 100% crop.

Risograph-printed gig poster on coarse newsprint, two-color overlap (electric pink + cobalt blue), visible registration misalignment. Hand-drawn condensed sans title reads exactly: "THE SIDEWALK PROPHETS · LIVE AT KING\'S HALL · FRI 6 MARCH". Below in smaller mono type: "DOORS 8PM · TICKETS £12 · OVER 18". Grain, halftone dots, slight ink spread at edges. Single occurrence of each text block, no duplication.

Loose watercolor wash of the Lofoten Islands at 4 AM in July — midnight sun low over the fjord, pastel salmon sky, indigo sea, fishing huts on stilts in vermilion. Wet-on-wet bleeds for sky, sharper dry-brush for huts. Cold-press paper texture visible at crop. A single bird mid-flight as negative space. Plein-air spontaneity, no digital gradients.

Oil painting in the style of a Dutch Golden Age still life: weathered wooden table with a cracked pomegranate, pewter goblet half-filled with red wine, a single moth resting on an open book, tarnished brass key. Chiaroscuro lighting from upper left, deep velvety black background. Visible impasto brushstrokes on highlights, glazing in shadows. Canvas texture faintly visible, museum-scale oil painting, not a render.

Close-up documentary portrait of a Ghanaian welder in a Tema shipyard at midday. Heavy leather apron, welding helmet flipped up on head, sweat beads on forehead, looking straight into lens. Orange sparks drift out of focus behind. Kodak Portra 800 look, 35mm f/2.8. Deep shadows, no fill light, no skin smoothing, magazine-grade realism.

Editorial portrait of a 67-year-old Japanese ceramicist in her Mashiko studio at 8 AM. Clay-dusted apron over linen shirt, salt-and-pepper hair tied back, slight smile. Raking north-facing window light, wood-fired kiln out of focus behind. Fujifilm GFX 100 II look, 80mm f/2, honest skin texture, visible fine lines and sunspots, no retouching, no beauty filter. 4:5 frame.

Editorial still life in the style of Irving Penn: a single blue-gray pigeon feather, a matchbook with spent matches, a folded handwritten note — exposed slightly revealing one line: "I'll be at the café until four" — arranged on a slate surface. Single raking side light from camera left, deep shadow right, charcoal seamless background. 4x5 large-format camera look, f/22, all elements tack sharp.

Sustainable-fashion editorial: a single undyed linen tote with a hand-embroidered pomegranate branch draped across a weathered olive-wood stool in a Crete village courtyard, late-afternoon raking sun. Warm limestone wall behind with one fig leaf shadow. Mamiya 7 look, 80mm f/5.6, Kodak Ektar 100 palette. Natural vignette, no HDR, no grade.

Letterpress-printed vintage botanical label on cream cotton stock, photographed flat overhead under soft window light. Deboss texture visible. Ornate Victorian type reads exactly "Lavender Absolute — Provence, France — 30ml". Small floral engraving flanking the text. Aged paper edges, faint foxing spots. Macro detail, flatlay, no glossy reflections.

Charcoal and pastel life drawing on toned tan paper: a ballet dancer caught mid-arabesque, seen from three-quarter back. Quick gestural strokes, highlights pulled out with white chalk, smudged shadow across the lower back. Unfinished feet — the line trailing off deliberately. Newsprint-sketchbook feel, visible paper grain.

Half-length studio portrait of a 29-year-old Argentine tango dancer in a black slip dress, shot against a charcoal seamless. Single soft box at 45° camera left, subtle rim light camera right. Curly dark hair loose, single silver earring catching light. Hasselblad X2D, 90mm f/4. No retouching, pores visible, no stylized grading.